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In active glass studios, the furnace has to be continually running. The process of “charging” the furnace, which means replenishing the glass in the crucible, takes hours, so it is best done in shifts. Throughout the day whoever is in the studio at a given time takes a turn filling up the hot melt furnace with more raw glass. When you make a drinking cup in a glass studio, you ideally have a partner to blow air into the pipe as you flatten the base so that it will sit straight when you set it down. But a drinking cup is relatively simple so just one assistant will do. As projects grow in ambition so too does the number of assistants required. Building and being part of a community is a necessity for glassblowing, and therefore, by choosing glass as my focus, I locked myself into developing strong cooperative skills alongside developing my craft.
That said, as glass artists go, I am not particularly faithful to the actual material. I love glass and glass art. But I have always been interdisciplinary and I rarely make work from just one material. I am a glass artist in how I conceptualize my work and have grown in my studio practice. Creating my BFA show, Charging Furnace would not be achievable alone. It was carefully planned and constructed with consultation and sometimes a helping-hand from family, friends, and the Ohio State Art Department.